Tag Archives: Third Reich Pilgrim

Haus des Deutschen Sports, Berlin, 2016


Fake His-Stories.

History is a pack of lies, about events that never happened, told by liars who were never there….Homer was blind….It’s a joke..LOL… History is a joke, complete and utter bunkum from go to woe… All of Archaeology is a fraud, the beginning of the destruction of the fraud began in 2012…It will be replaced with even bigger lies, the fraudulent his-story will be replaced with more fraudulent his-story! And that will be an even bigger joke. “Usually such museums only allow artifacts and visual displays that are obtuse, objects composed to confuse, not to guide or enlighten but to confuse and mislead the viewer, they call it “historical art” and it is the artistic recreation of an imagined past, the props and the stage sets of fables, art as a contrivance designed for the purpose of confusion via abstraction. Confusion via abstraction is a propaganda technique developed over the centuries into…well, a fine art, one could say. One can understand it this way – anywhere there is a display put up, supposedly for the benefit of the general public and at great cost, one can be sure that it contains contrived forms of propaganda designed to utterly confuse and disorientate the viewer with disinformation, lies and deception, which is why school children are taken to museums.”  Third Reich Pilgrim: The Ruins Of Power

How to turn worthless junk into gold? Put it in a Museum and tell the masses “It’s old”.

 

How to turn bad design into great Art? Put it in a museum and tell the masses “it’s old”…


Third Reich Pilgrim: The Ruins Of Power


The Re-release of the improved and extended Third Reich Pilgrim: Part 1 – The Ruins Of Power is now available again. This new edition has had five years to mature. The 1st edition was rushed through to meet the deadline of 12-12-12. The book has now been thoroughly proof read, improved and extended. If you have the 1st edition, or missed out on it, then I would recommend you acquire this new improved edition.

For purchase inquires please email:   hermitage75@yahoo.com.au

“As I made my way along the quiet path by the Obersee, it reminded me of Mimir’s Well, so still and mysterious it was, a magical mirror-well. In the afternoon shadows I could see the distorted face of a giant’s head in the ravine wall, like the legend of Mimir’s severed head which Odin preserved and placed by the Well under the root of the Cosmic Tree. The severed head would come alive at Odin’s command and speak of truths unknown to any other God.”


Koln – Mother of Harlots

These copies of Lithographs I recently purchased in Cologne for 2 euros each. They depict Cologne figure-heads and symbols and heraldry.

 

Saint Ursula is symbolic as the Mother of Harlots – Mystery Babylon, the Mother of all Colonies – Kolonies

She is also symbolic of the ermine tail and the huntress, and is related symbolically to Saint Sebastian, Baldur and Jesus

She is a composite figure, a phantasmagoria.

 

Saint George, man at arms, and defender of Cologne, figure-head of the Iron works guild of Cologne – nails, swords, spears, etc

 

Society of Jesus heraldry of Cologne, Jesus – Yeast, born in a vat, in a pub, most powerful of all commodities, all trading barons bow down to Yeast – figure-head of the Brewers Guild of Cologne. Priests and Wine and Beer, and Spirit makers are the same…They all work in the Vineyards of the Lord! “Before the Printing Press came the Wine Press” – Third Reich Pilgrim… Al-Koln-ol = Alcohol… Saint Michael, Saint Gabriel – postal delivers, merchants send their letters, receipts, book work, accounting, so forth.

 

Saint Ursula as Baldur, Psalm 64. Wears the virgin winter coat of the Stoat, the Ermine, with the black tails,

figurehead of the Furs and Tanners Guild

 

Saint George of Cologne, figure-head of Iron works. Iron nails especially, and arrow heads and spear heads, Armour, tools, etc. Related to Farriers, hence also depicted on a horse.

Nails the Vines to the cross beam and stake in the Vineyards, conqueror of the Forests, hence “Dragon” = Tree.

Wood Chopping Guild figure-head = Knight.


To Rome and Back again

I just though I would pour some fuel on the fire…

“Germans also founded Rome, in 753 B.C.. The twins Romulus and Remus, sons of Rhea Silvia, did this. They were suckled by the Wolf of Wotan and belonged to the people of the Italiker and Umbrier, from the isle of Jutland. All the Nordic founders of peoples were twins, Twin Kings (Atlanteans)….This is the truth of times already historical, erased by Judaism and its Catholic Church of Rome that have together destroyed the Aryan race and blood. There has been no Universal History, nor any civilization not created and developed by the Nordic-Hyperborean race, by the semi-divine race of White Heroes, Aryans, coming from the Pole, in their exodus and fall from a glorious past, through the destruction of Paradesha, Midgard, earthly Hyperborea, the Golden Age.”  –  Adolf Hitler: The Ultimate Avatar, page 371.

Hitler said that if one thought that there was a problem with the Church then one should start a Religious Reformation and not a Political Party. And this is a Religious Reformation……Esoteric Hitlerism is metapolitical.

Now, I agree with what Serrano is writing here and I will take it even further:

“Koln’s foundation begins with the mighty Rhine River which is the She-Wolf – Rhia Silvia or Forest River, who feeds the twins Romulus and Remus, who are the twin settlements divided by the Rhine, together they make old Roma in the exact location that one finds Koln today. Sometimes the Rhine River, in antiquity, was given the name ‘nile’, the name was later transferred to North Africa, same as ‘Rome’ of Italy is a latter place-name transferral, from Germany to Italy. The so-called ‘River Tiber’ in Italy was barely a seasonal stream compared to the Mighty River Rhine. The Tiber, in fact, is a man-made canal and sewerage main. It is the Rhine that is the founding River of Europe…” etc, etc.. – Third Reich Pilgrim: The Ruins Of Power

The She Wolf of Koln (Cologne). Picture courtesy of the Third Reich Pilgrim.

XX88

 

 

 

 

 

 


Sacrifice

“To avoid defeat and stop Destiny, the Jews plagiarized the cosmic crucifixion of the Sun God, the Black Sun and Cold Birth, with their Christianity, with the crucifixion of a Christ they call ‘Jesus’, the name given by the Gnostics to the pituitary gland in the skull within the cerebellum where there was situated the knowledge of our divine past, with the UR Rune. This material crucifixion is, in truth, the representation of satanic ritual murder in which the Jews bleed an Aryan victim on a tree or log offered to their God of vengeance, Jehovah….Wotan is crucified for Nine Nights in Mystic Death on the Iggdrasil Tree of Terror to recover the Runes. This stellar adventure, zodiacal, of Celto-German Astrology, an Archetype and Celestial Cosmic Drama that has taken form in the sensible and permeable rocks of the Externsteine where the Irminsul Tree stood that the renegade Charlemagne destroyed….In the Zodiac, Baldur, Son of Wotan, ‘identical with his father’, is crucified on the Hagal Rune which, when moving with the Mill of the Gods, Grotti, will be the Gibur Rune, that which gifts and is the Donor Oak of Dodona, Jason and the Argonauts who, in truth, sailed through the constellations, the Way of Iring, in their ship AR-go, where the Heroes will become Aryans, will be twice born.”  –  MANU: For The Man To Come

“Death and Resurrection of Baldur. Resurrection on the Zodiac, in Germanic-Nordic astrology…Its reproduction on Earth in the Externsteine is Archetypal”   –   MANU: For The Man To Come

Satanic ritual torture, within a magical square, a common “Christian” theme through artistic representation in celebration of the bleeding of an innocent victim.

Ecce Homo – “Behold the Man”. Sacrificial flesh and blood offering to Jehovah.

“Sacrifice”. During the Third Reich (statue by Arno Breker). Man with broken sword and shield fights to the end for his freedom.

‘Sebastian’ after the Third Reich (statue by Arno Breker), is once again tied to a stake, defenseless, resigned to his fate, tortured.

“I then proceeded to a white marble statue named ‘Sebastian’, whose contorted hands were bound to a tree stump, he was falling to his knees from exhaustion. I was intrigued by the lifelike features of this statue, and I, standing with Herr B, quietly contemplated it. Here is the Germanic ‘Baldur’, who is the same as the Roman Catholic ‘Saint Sebastian’, usually depicted as a young man with longish hair in a loin cloth who is tied to a stake and tortured with various pointed weapons, like arrows, spears and knives, and finally a mistletoe leaf, according to the myth one simple mistletoe leaf is the only thing that can kill him. Baldur or Sebastian, is said to be impervious to all other weapons. The mistletoe is a parasitic plant which attaches itself to a host tree, it is considered a weed that can destroy or severely decrease the yield of cultivated fruit trees. ‘Ecce Homo’ (Behold the Man), is actually just a tortured tree in a lord’s field, this was pop-culture in the late Middle-Ages, there are billions of ‘Sebastians’ tied to stakes; bound with ropes and pruned and cut and grafted, its called ‘Horticulture’ and ‘Sebastian’ is a mascot for Horticultural Guilds. The Breker ‘Sebastian’ sculpture is from 1948, it is not Third Reich sculpture, that is why the Art of Arno Breker is a significant key to understanding the meaning of Art in the Third Reich. One can see how the subject , style and portrayal changes through Breker’s artwork; comparing what his Art was during the Third Reich and then what his Art was after the Third Reich. One must compare these artworks, for example the comparison between the 1948 ‘Sebastian’ and the 1940 ‘Sacrifice’, the design of which was originally just a preliminary design for the sculptures of the ‘Great Triumphal Arch’. In the Third Reich ‘Sacrifice’ the Man is depicted weilding a broken sword and a shield, he is depicted falling to the ground in exhaustion but his broken sword is still raised over his head ready to strike his last blow with his dying breath. In 1940, in true sacrifice the Man dies fighting, but in 1948 man is once again bound to a stake and unable to fight back, he does not even struggle against against his bonds, he is resigned to his fate and unarmed, the man has once again become a trained biological creature whose profitable mercantile yield is all that is of value, he is no different to a vine-tree producing grapes or a fruit tree producing apples, he is the cultivated human, the compliant, trained, effeminate human.” –  Third Reich Pilgrim: The Ruins Of Power


Ehrentempel

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“As the spring evening came cool and dark, I lingered in the overgrown grove of the 16 Blood Witnesses. I collected fallen sticks from the little urban nature-reserve and made symbolic Werewolf runes by placing them on the grass in solitary commemoration of the highest bravery of the National Socialist martyrs. The last roll-call here for the rising soldiers returned from the dead; by duty be done, the exercise of thy will be strong where one cannot see, nor with words speak, thy extinguished flames, thy lost language has passed away but arises anew:

Here in the holy sanctuary, just as they marched fearlessly, so too shall they lie in the storms and rain, in the snow and ice, and in the sun, under the heavens. They will lie here in the open as an eternal symbol of the German nation. For us they are not dead. – Adolf Hitler

Outside the urban necropolis the dreary and directionless traffic continued by, and around and around the city, traffic and commuters continued on, their minds locked in the prisons of abstract numbers and meaningless symbols, the ceaseless movement and the toil achieving nothing; no value, no valour, only the dead could have valour here, here it is better to be the vanquished rather than victor, here only perhaps the dead can live! In this congested wasteland of Zion with its endless circus of commercial bazaars! What once was Munich I had known has become an Uber Ghetto of no value and no valour.”   –  Third Reich Pilgrim: The Ruins Of Power