Tag Archives: Germany

Third Reich Pilgrim Part II:

New Excerpt from upcoming Part II of Third Reich Pilgrim – Gnostalgic Ehrean.

The road winded its way up through fields of golden wheat, edged by green woods; small townships nestled in the valleys of the dark hills, the clear expanse of the sky-dome shone down on the meandering, glistening serpent-like Danube River. I followed the path of flagstone steps, under a canopy of arched sylvan boughs. A green lawn stretched out and the Architectural dignity of Walhalla revealed itself in monumental splendour. The true “Parthenon” on the Germanic “Acropolis” of Donaustauf, overlooking the Danube. The Germanishe Tektonic Walhalla is another seminal construction that preceded “Ancient Greece” (Griechenlands). It was Germany that formed the first “independent Greek State”, and Ludwig I of Bavaria, whom was the patron figurehead of Walhalla on the Danube, was the father of modern (ancient) Greece, which arises in the early 19th Century A.D.. Archaeology, as a deceitful magic trick, begins in Germany in the 1780’s. Before that time there was no such thing as Archaeology or Archaeological Artifacts, they are German inventions, cunningly devised artful deceptions, which the Germans transposed to foreign lands, denigrating their own original culture, in a form of self-immolation and self-mutilation. Their own culture they shifted to inferior lands and set up entirely fake chronologies and histories that hid the truth of their own superior and original history. So it can be clearly observed with a man’s senses that the Walhalla in Germany pre-dates the Greek Parthenon in Greece, and that the Germans are responsible for designing and constructing Greece to make it appear to be older than what it is… Ancient Greece is no older the German founded modern Greek State, of which Ludwig I (King Louis in English and French) of Bavaria, is the founding father. Ludwig I is the Crown Prince Elector of Bavaria, Count Palatine of the Rhine, the Arch-Steward of the Reich, the Duke of Berg, King of Bavaria and chief Sponsor of Romantic Hellenism! Ludwig’s son Otto was the first King of Greece. An unknown secret of his-story, is all that “Ottoman” stories from literature and art, relate to the German “Otto’s”, and the “Ottoman Empire” is an Empire belonging to one of the many Germanic King Otto’s, the designation “Ottoman” is code for “Ottonian”, which denotes “belonging to Otto”. There is no such thing as the “Middle Eastern Ottoman Empire”, that is simply a theatrical invention, the Middle East never had an Empire, nor even a true historical history, the Middle Eastern his-story was invented in Europe and transferred to the Arabs by the Europeans. The architects in Ludwig I service, Leo von Klenze and Friedrich von Gärtner designed and built Greek “Athens”. Leo von Klenze (who studied under Freidrich Gilly in Berlin and was the court Architect of Hieronymus Napoloen, the King of Westphalia) also designed and built the Walhalla Temple, the Befreiungshalle, the Bayerische Ruhmeshalle, the Munich Glyptothek, the Propyläen Tor and the Bavarian Ministry of War. It was Leo von Klenze who was the chief designer and builder of the landscape follies atop the Acropolis in Athens. He used the off-cuts and the rejected and damaged masonry from the Walhalla Temple, the building materials that could not be used in Germany because they were damaged or unusable for the Walhalla constructions specifications were carted off to Athens to be used in the construction of “ruins” to make it appear that Athens in Greece was older than Germany! Just because something is broken, does not mean it is old… But that is part of the theatrical comedy. It was an amusement to the German powers to do such a thing, seeming they had ultimate power, why not mock that power for the sense of their own amusement? If it is all a joke, why should we all not laugh at their joke. But is it funny… Does this strange sound we make when we laugh really worth the effort of all this theatrical folly, in praise of folly…Is such constant praise amusing or just tiresome antics conceived to alleviate the crushing boredom of a privileged life.?The fact is, that the Parthenon in Athens is modeled on the Walhalla near Regensburg! The Greek language was invented in the linguistic departments of German Universities. But there is a economic reason for this fakery, for these dubious “restored” ruins that the Germans have constructed in Greece, (and Rome and around the world), there is a capitalistic motivation, and that is the profitable business of selling marble and stone that is damaged and broken and is not good enough for real architectural and engineering works, the broken and damaged stones and marbles can be used for “ruins”, and therefore they can be made profitable! Also in the sculptural arts, if a marble sculpture suddenly cracked or broke, as frequently happens when working with marble, and say, for example, a nose is broken off or an arm, or some part of the sculpture is damaged, then the sculptor could sell the damaged piece to the Architectural museums who would label it as “ancient” and place it in a museum and charge the public a fee to view it, this would end up more profitable than if the statue was made and executed perfectly…No doubt the German Jews were at the coal-face of this lucrative trade in damaged goods, turning the stones that were rejected into the chief head-stones of Archaeology! Also in stone and marble quarries there is high-grade and low-grade stones and marbles, for the low-grade marble and stone blocks that are not suitable for construction of true architecture the inferior blocks can be used for “ruins”, in fact they are perfect for ruins because they are inferior and low grade, their cracks and chips and decayed forms are ideal for the romantic state of decaying ruins. There is an enormous waste in the quarrying of marble and stones, and therefore there is, correspondingly, due to economic factors, an enormous amount of fake ruins. The simple way to hide this dubious practice, and to hide its profitability, is to call the quarry waste used for building ruins – “ancient”. They are not valueless broken bits of useless stone, they are highly prized and very valuable broken bits of useful stone, simply because they can be labelled “very old”. And expert labour costs can be thus reduced, there is no need for professional stone masons and cutters, one can just used unskilled labour and dump the broken bits of quarried stone and marble anywhere, and just say the magic word – “ancient”. This has become a very profitable business for both companies, States and individuals. And indeed, a stone or marble quarry could not be profitable without this secret trade. On the occasion of the laying of the foundation stone of Walhalla, King Ludwig declared: “May Walhalla promote the strengthening and the growth of German consciousness. May all Germans, to whatever tribe they may belong, always feel that they have a common fatherland, a fatherland of which they may be proud. And may each contribute as much as he can to its glory.” (National Monuments and Nationalism in 19th Century Germany. Hans A. Pohlsander). Well, let us see the truth of how he lied, let us see what pride is here, let us be witness to the sins of the fatherland.


Call From The Ice


How to win a pathetic game

“You see, they’re not even capable of winning their own pathetic game using rules that they created for a system that they control. They’re so senile and imbecilic that the only thing they are capable of is writing pathetic subliminal messages into songs but only in the most tenuous of manners so that they can deny it if anybody draws attention to it.”  –  GERMANIA: Book I, by Steve Hirst

The Songs Of The Reich are simply recycled, with errors, and fed back to us, as if the Songs came from Zion…. Which they did not, it is merely a copy of Chords that are Divine in the first place. Prometheus might have something to say about this. So many great lines in this book it is hard to choose which one…. Of course, who is going to understand blind Justice?

 

 

 

 

 

 

 


Stahlhelm Christmas


1930 trains

Interesting picture from 1930, in Germany….It is hard to believe that Germany lost WWI, a war that was conducted with trains and railways, on the continent, where they had a technological and geographical advantage over France, Britain and Russia…..It is very hard to believe….Even with the disadvantageous dictates of the Versailles Treaty, Germany was still advancing at a much greater rate than those who were oppressing her after the war had ended…. I mean, even in terms of metallurgy, where Germany had always dominated, again it is hard to believe Germany could lose WWI when she dominated all the metal trades and innovations and technology, and had done so for centuries….Very hard to believe… And again, when one analyzes WWI, and from a military perspective, it is impossible for Germany to lose WWI, when they did not lose any ground, it is beyond belief… The Germans appear to have also invented the military absurdity of surrendering whilst conquering the “enemies territory”, as they did, time and time again…


I Know These Dead

Adolf Hitler der Kristos speech, Munich, 8th November, 1927.

“I know these Dead – almost all of them – personally. As they look down from the great beyond, I know that there is only one reward for their deeds and sacrifice, and that is not speeches but work, not memorials but battle. We must continue the mission…to strengthen the movement and take the word to the farthest German hamlet. We have to take our great ideas to every factory come what may…despite persecution and abuse, always keeping…the image of the new Germany, of a new Reich in our hearts – just like our kamerads dreamed of it four years ago…This is the only thanks that we can give to our dead…And the day will come when we…can build earthly memorials to our kamerads who were the first to die. And then we will inscribe the words in stone: “To the true sons of the German Volk, who died when the nation was at its lowest ebb. They died for their belief in a new, sacred German Reich.”

An epitaph for the Volksgemeinschaft…. For those who follow the true Kampfzeit…His speech here is so profoundly religious…But at the same time, so pragmatic…Ultimately it is Mysterious…His vision is of a New Reich, something entirely new, and he feels a great desire to convince others of this vision, whom he considers to be his brethren, all of Germany he considers to be his brethren, his kindred, he is thus selfless, there is no ambition, no personal want, just a selfless drive to create something that does not exist, that is the opposite of all he sees in the world, but he is convinced that this is for the benefit of all, and he sacrifices himself for this aim.  There is nothing in the fake annals of chronological fraud that can compare with this man….As it was prophesied “he ransomed his life for the many.” He says that the new Reich is in his heart, for he is a wandering poet with a dream in his heart…

I wrote in Third Reich Pilgrim that trying to understand Hitler is like wrestling with God… I am wrestling with God…I use these words because I have only these words to use, and these words feel like the charcoal ashes of an old camp-fire, like eating ashes. There were memorials built for those first heroes who died, but now they are all in ruins and abused…What one man can do, the masses of devils can very easily destroy…And betray. To Hitler, the Reich is “sacred”, it is a sacred thing, a dream and a vision, that only a few can see, but in his idealism he believes in the unity of the vision, for he is a unity, and so he cannot comprehend division. He fights against all division for his unity, yet he is in a divided world where unity cannot exist. So therefore those who believed in the unity of the sacred Reich – died. But he urges that the missions must continue nonetheless, until death. Then, even his own speech he humbly downplays as being insufficient – only work and battle are meaningful – the “Deeds of the Dead” whom he knows, personally, as if he is the Dead, he is the voice of the TotenVolk!

Photo of illustration depicting the dead of November 9th, Feldherrnhalle, Munich, from an exhibition at Wewelsburg Castle, 2016.


Book Release: The Saga Of Hailstorm

New Book Release:  The Saga Of Hailstorm, Part I: In Harm We Trust,  by Karl Delling

For purchase inquiries please email:   hermitage75@yahoo.com.au

“A Literary Panzerfaust”

“A Hailstorm is coming….”

In April, 1895, the German Kaiser, Wilhelm II had a nightmare. He dreamed that all the nations of Europe appeared personified as “prehistoric warrior goddesses” who were protected by Germany which took the form of the Archangel Michael. To the East they were threatened by a dark, stormy cloud in which millions of Asians, who destroyed all in their path, flooded into Europe, killing all Whites. This nightmare, Wilhelm II regarded as a message from God about the coming Apocalyptic “Race War” between Europe and Asia that would decide, finally, the future of Europe. The Saga of Hailstorm – In Harm We Trust, is a literary portrayal of how this future may play out. Unlike William Pierce’s The Turner Diaries, (to which some parallels could be tentatively drawn), The Saga of Hailstorm is an atavistic Arthurian Legend set in the 21st Century, one could, perhaps, more accurately, draw a parallel to sword-wielding chivalrous knights than to gun-toting revolutionaries. And pop-culture film references in The Saga of Hailstorm recall the traditions of Knights of Honour. Perhaps one could call it an “Existentialist Knight’s Tale”. I was reminded, also, of the films Highlander and The Duelists. However, in The Saga of Hailstorm, the action and adventure is bolstered by an underlying theme of the Germanic Vehmic Courts of Justice of the Middle Ages, and as such it also recalls, to those sensitive enough to hear, the old Westphalian Legend of the final Apocalypse of Europe.

The setting of this first Part, takes place in Sweden, which seems very appropriate, given the current state of affairs in Sweden.

The Saga of Hailstorm explores the pathos and diffused instincts associated with the destruction and loss of racial identity and the state of “nationlessness”. The complex emotions arising from an individual’s disenfranchisement and alienation, from the degradation of one’s culture and folk, that appears to have abandoned its own progeny and embraced its own natural enemy. In this is isolating wasteland, in the outer-suburbs of a frozen city, a man, acting alone, feels that it is his duty to re-establish the only condition by which man can live – by Honour. And Honour always arises in one man when he feels that he no longer identifies with the world in which he lives, he is no longer a part of it, he feels that the world is not what it should be, and so, as Savitri Devi would point out; he acts, or re-acts, with a violence that is unavoidable, his honour has no other expression but to defy the world around him, and in this clash, violence is the only outcome. Aristotle wrote that man does not feel himself to be a man unless he can repay violence with violence, and whether this is deemed “evil” than that is something for the gods to decide. Justice is a measure, otherwise it is not Justice. How does man come to terms with his own primal instinct for Justice, which urges him to act, it urges him to act with honour, to measure the last weights of Justice in a world where justice can no longer be found. Is not man then the measure of justice? This is the question that the gripping tale of The Saga Of Hailstorm puts to the reader, nay, vehemently confronts the reader demanding an answer!

“In Harm We Trust”