More copies of Atlantis, Edda & Bible are now available. Four parcels of printed books went missing for a few months and then finally turned up at my door step!
More copies of Atlantis, Edda & Bible are now available. Four parcels of printed books went missing for a few months and then finally turned up at my door step!
“Fire is still the most damaging of all weapons and the easiest to wield because the main fuel source is oxygen….It is Fire that is the most deadly of all known weapons on this planet, a planet which has an explosive fuel source for its atmosphere.” – Third Reich Pilgrim – Part I – The Ruins of Power
The Internal Combustion Engine is also known as the “atmospheric engine”.
Humans have attempted to shift the history of the internal combustion engine to a French origin, which is humorous because Nikolaus Otto and Gottleib Daimler built the engines that were used in French automobiles… The fuel source is oxygen, so whatever fouling agent they decided to include, like “Gas” must have been to foul the engine more quickly, and the “Gas” is a bio-fuel made from wheat and corn and barley crops, grown mostly in Europe – “ethanol”, one might call it, or alcohol. “Gas” or “Petrol” does not come out of the ground (muddy, foul water is what they pump out of the ground, which can be used for watering the crops that actually produce the “Gas”. Anyway the main fuel source for engines is Oxygen. The properties of Oxygen were first discovered by the German Chemist Carl Wilhelm Scheele.
The complete editions in Spanish of La Nueva Edad (The New Age) published by Miguel Serrano from 1941 – 1943 in Chile.
New Excerpt from upcoming Part II of Third Reich Pilgrim – Gnostalgic Ehrean.
The road winded its way up through fields of golden wheat, edged by green woods; small townships nestled in the valleys of the dark hills, the clear expanse of the sky-dome shone down on the meandering, glistening serpent-like Danube River. I followed the path of flagstone steps, under a canopy of arched sylvan boughs. A green lawn stretched out and the Architectural dignity of Walhalla revealed itself in monumental splendour. The true “Parthenon” on the Germanic “Acropolis” of Donaustauf, overlooking the Danube. The Germanishe Tektonic Walhalla is another seminal construction that preceded “Ancient Greece” (Griechenlands). It was Germany that formed the first “independent Greek State”, and Ludwig I of Bavaria, whom was the patron figurehead of Walhalla on the Danube, was the father of modern (ancient) Greece, which arises in the early 19th Century A.D.. Archaeology, as a deceitful magic trick, begins in Germany in the 1780’s. Before that time there was no such thing as Archaeology or ‘Archaeological Artifacts’, they are German inventions, cunningly devised artful deceptions, which the Germans transposed to foreign lands, denigrating their own original culture, in a form of self-immolation and self-mutilation. Their own culture they shifted to inferior lands and set up entirely fake chronologies and histories that hid the truth of their own superior and original history. So it can be clearly observed with a man’s senses that the Walhalla in Germany pre-dates the Greek Parthenon in Greece, and that the Germans are responsible for designing and constructing Greece to make it appear to be older than what it is… Ancient Greece is no older the German founded modern Greek State, of which Ludwig I (‘King Louis’ in English and French) of Bavaria, is the founding father. Ludwig I is the Crown Prince Elector of Bavaria, Count Palatine of the Rhine, the Arch-Steward of the Reich, the Duke of Berg, King of Bavaria and chief Sponsor of Romantic Hellenism! Ludwig’s son Otto was the first King of Greece. An unknown secret of his-story, is all that “Ottoman” stories from literature and art, relate to the German “Otto’s”, and the “Ottoman Empire” is an Empire belonging to one of the many Germanic King Otto’s, the designation “Ottoman” is code for “Ottonian”, which denotes “belonging to Otto”. There is no such thing as the “Middle Eastern Ottoman Empire”, that is simply a theatrical invention, the Middle East never had an Empire, nor even a true historical history, the Middle Eastern his-story was invented in Europe and transferred to the Arabs by the Europeans. The architects in Ludwig I service, Leo von Klenze and Friedrich von Gärtner designed and built Greek “Athens”. Leo von Klenze (who studied under Freidrich Gilly in Berlin and was the court Architect of Hieronymus Napoloen, the King of Westphalia) also designed and built the Walhalla Temple, the Befreiungshalle, the Bayerische Ruhmeshalle, the Munich Glyptothek, the Propyläen Tor and the Bavarian Ministry of War. It was Leo von Klenze who was the chief designer and builder of the landscape follies atop the Acropolis in Athens. He used the off-cuts and the rejected and damaged masonry from the Walhalla Temple, the building materials that could not be used in Germany because they were damaged or unusable for the Walhalla constructions specifications were carted off to Athens to be used in the construction of “ruins” to make it appear that Athens in Greece was older than Germany! Just because something is broken, does not mean it is old… But that is part of the theatrical comedy. It was an amusement to the German powers to do such a thing, seeming they had ultimate power, why not mock that power for the sense of their own amusement? If it is all a joke, why should we all not laugh at their joke. But is it funny… Does this strange sound we make when we laugh really worth the effort of all this theatrical folly, in praise of folly…Is such constant praise amusing or just tiresome antics conceived to alleviate the crushing boredom of a privileged life.?The fact is, that the Parthenon in Athens is modeled on the Walhalla near Regensburg! The Greek language was invented in the linguistic departments of German Universities. But there is a economic reason for this fakery, for these dubious “restored” ruins that the Germans have constructed in Greece, (and Rome and around the world), there is a capitalistic motivation, and that is the profitable business of selling marble and stone that is damaged and broken and is not good enough for real architectural and engineering works, the broken and damaged stones and marbles can be used for “ruins”, and therefore they can be made profitable! Also in the sculptural arts, if a marble sculpture suddenly cracked or broke, as frequently happens when working with marble, and say, for example, a nose is broken off or an arm, or some part of the sculpture is damaged, then the sculptor could sell the damaged piece to the Architectural museums who would label it as “ancient” and place it in a museum and charge the public a fee to view it, this would end up more profitable than if the statue was made and executed perfectly…No doubt the German Jews were at the coal-face of this lucrative trade in damaged goods, turning the stones that were rejected into the chief head-stones of Archaeology! Also in stone and marble quarries there is high-grade and low-grade stones and marbles, for the low-grade marble and stone blocks that are not suitable for construction of true architecture the inferior blocks can be used for “ruins”, in fact they are perfect for ruins because they are inferior and low grade, their cracks and chips and decayed forms are ideal for the romantic state of decaying ruins. There is an enormous waste in the quarrying of marble and stones, and therefore there is, correspondingly, due to economic factors, an enormous amount of fake ruins. The simple way to hide this dubious practice, and to hide its profitability, is to call the quarry waste used for building ruins – “ancient”. They are not valueless broken bits of useless stone, they are highly prized and very valuable broken bits of useful stone, simply because they can be labelled “very old”. And expert labour costs can be thus reduced, there is no need for professional stone masons and cutters, one can just used unskilled labour and dump the broken bits of quarried stone and marble anywhere, and just say the magic word – “ancient”. This has become a very profitable business for both companies, States and individuals. And indeed, a stone or marble quarry could not be profitable without this secret trade. On the occasion of the laying of the foundation stone of Walhalla, King Ludwig declared: “May Walhalla promote the strengthening and the growth of German consciousness. May all Germans, to whatever tribe they may belong, always feel that they have a common fatherland, a fatherland of which they may be proud. And may each contribute as much as he can to its glory.” (National Monuments and Nationalism in 19th Century Germany. Hans A. Pohlsander). Well, let us see the truth of how he lied, let us see what pride is here, let us be witness to the sins of the fatherland.
I have completed the first draft of “Third Reich Pilgrim – Part II”. Written at great speed, over a two month period, whilst suffering clinical Depression…. I recommend that one not try that at home… Now I will revise the work and continue with the second draft. I am also half way through the proof read and re-formatting of “The Lightning and the Sun”, I plan to have a Limited Edition of that work completed sometime next year, probably late next year. Thankyou to the Kamerads who took the time to leave a review on Amazon for Steve Hirst’s “Germania”. I plan to release “The Saga of Hailstorm” on Amazon in the coming days, just waiting on the Sword – “Harm” to appear. We are currently working on an improved edition of “The Golden Cord” (I still have not heard from anybody, including Amazon as to where exactly the evidence is for “legal rights ownership” for this particular translation on Amazon is? And I don’t expect I will ever hear from them. LOL….”Legal Rights” are arbitrary, of course, so there is no need for anyone to provide me with “legal evidence” of “Legal Rights”, especially on a retail sales website, and of course no such “legal rights” exist….Which, of course, even if they did exist, does not extend past the retail sales website in question.) Anyway, we are working on a new translation, so we can delete “Jason Thompkins” from the translation credits and notes. And the new translation will be greatly improved. All part of the show of colourful characters that surround the publishing work of Don Miguel Serrano…I guess…
“I imagine that they are helping to represent the seventy year anniversary since the 1945 ‘Liberation’. Concentration camps! Eye-witness accounts! Died like rats! Eye-witness accounts! Mad with hunger! Eye-witness accounts! Murder! Eye-witness accounts! Forced labour! Eye-witness accounts! Unbearable stench! Eye-witness accounts! Extermination centres! Eye-witness accounts! Bloodbath! Eye-witness accounts! Massacres! Eye-witness accounts! Executions! Eye-witness accounts! Gassings! Eye-witness accounts! Brutality! Eye-witness accounts! Killings! Eye-witness accounts! Terror! Eye-witness accounts. But you cannot question any of this because it is ‘Manifestly Obvious’!” – GERMANIA – Book I.
Can you work out what the repetitive refrain here is? I will give you a hint – “Eye-witness account”…..An Eye-witness account must be truthful because human beings are truthful and never lie about what they see, it is manifestly obvious that any “Eye-witness” account should be taken as truth, no matter what the circumstances or situation may be and no matter what reason or logic might decree to the contrary of the stated human “Eye-witness”… As long as the “account” is preceded by the the words “Eye-witness” it must be taken as truthful and actual fact, that overrules all other truths or facts…..Have you ever known a human being to lie????? Humans never lie, so therefore any human who stated that it has been an “Eye-witness” must be stating the absolute Truth…This is then the measure of ‘History’ and ‘Reality’, which are formed by what the Human being says it saw! Even if the human being is blind, like Homer, it is still the measure of reality because it is the stated “Eye-witness”. And the human being never lies, not even when it is within their interests to do so. Historical veracity is ascertained via eye-witness testimonies, and this is considered especially truthful when there is favour and despotic incentives offered for those who provide eye-witness testimonies that confirm the narrative, that has been formed due to the wants and needs of the humans involved. It is proven, that where the wants and needs can be placated, more and more truthful eye-witness testimonies can be found, and that this re-enforces the narrative via repetition. One, can also then state, that if it is repetitive, then it must also be true, according to human logic….
New Book Release: The Saga Of Hailstorm, Part I: In Harm We Trust, by Karl Delling
For purchase inquiries please email: firstname.lastname@example.org
“A Literary Panzerfaust”
“A Hailstorm is coming….”
In April, 1895, the German Kaiser, Wilhelm II had a nightmare. He dreamed that all the nations of Europe appeared personified as “prehistoric warrior goddesses” who were protected by Germany which took the form of the Archangel Michael. To the East they were threatened by a dark, stormy cloud in which millions of Asians, who destroyed all in their path, flooded into Europe, killing all Whites. This nightmare, Wilhelm II regarded as a message from God about the coming Apocalyptic “Race War” between Europe and Asia that would decide, finally, the future of Europe. The Saga of Hailstorm – In Harm We Trust, is a literary portrayal of how this future may play out. Unlike William Pierce’s The Turner Diaries, (to which some parallels could be tentatively drawn), The Saga of Hailstorm is an atavistic Arthurian Legend set in the 21st Century, one could, perhaps, more accurately, draw a parallel to sword-wielding chivalrous knights than to gun-toting revolutionaries. And pop-culture film references in The Saga of Hailstorm recall the traditions of Knights of Honour. Perhaps one could call it an “Existentialist Knight’s Tale”. I was reminded, also, of the films Highlander and The Duelists. However, in The Saga of Hailstorm, the action and adventure is bolstered by an underlying theme of the Germanic Vehmic Courts of Justice of the Middle Ages, and as such it also recalls, to those sensitive enough to hear, the old Westphalian Legend of the final Apocalypse of Europe.
The setting of this first Part, takes place in Sweden, which seems very appropriate, given the current state of affairs in Sweden.
The Saga of Hailstorm explores the pathos and diffused instincts associated with the destruction and loss of racial identity and the state of “nationlessness”. The complex emotions arising from an individual’s disenfranchisement and alienation, from the degradation of one’s culture and folk, that appears to have abandoned its own progeny and embraced its own natural enemy. In this is isolating wasteland, in the outer-suburbs of a frozen city, a man, acting alone, feels that it is his duty to re-establish the only condition by which man can live – by Honour. And Honour always arises in one man when he feels that he no longer identifies with the world in which he lives, he is no longer a part of it, he feels that the world is not what it should be, and so, as Savitri Devi would point out; he acts, or re-acts, with a violence that is unavoidable, his honour has no other expression but to defy the world around him, and in this clash, violence is the only outcome. Aristotle wrote that man does not feel himself to be a man unless he can repay violence with violence, and whether this is deemed “evil” than that is something for the gods to decide. Justice is a measure, otherwise it is not Justice. How does man come to terms with his own primal instinct for Justice, which urges him to act, it urges him to act with honour, to measure the last weights of Justice in a world where justice can no longer be found. Is not man then the measure of justice? This is the question that the gripping tale of The Saga Of Hailstorm puts to the reader, nay, vehemently confronts the reader demanding an answer!
“In Harm We Trust”
Otra traición terrible contra Serrano fue haber realizado su velatorio nada menos que en una iglesia católica romana, con la payasada del ritual correspondiente. Gran insulto contra su cuerpo y su espíritu. Y en el mismo velatorio debimos escuchar “los escritos más importantes de mi marido son los anteriores a El Cordón Dorado, los escritos ideológicos que publicó después no son tan importantes”. Así quedó bien en claro quién es quién. Puede leer más sobre este tema en el siguiente sitio web: